I am not sure, however, that it gives you more than the 50 lux asph, which has more character in its rendering. If the 50 APO calls to you, you should try it if you can pull it off. Granted, that’s a lot of gear, but I am feeling and have felt very comfortable in my set of options.
For me, as I have gotten more into photography, I have drifted more towards summicron designs, and I have narrowed by kit to a 21/35/50/90 set in both modern and vintage flavors. In my opinion, the summicron lenses tend to be more behaved, more neutral, more transparent, while the lux lenses tend to have more character and provide more pinnace/style. You have great knowledge regarding gear, so there’s really no advising you beyond that I believe that certain lenses can be bonded to you, and in their IQ/rendering, can provide/imbue emotional context to help paint your desired context. The only new lens that I snagged with the 50 APO, trading the 50 lux and the 75 lux for this. I have now had a stable Leica kit for about 2 years (since my days of experimenting heavily using various lenses with the Monochrom), and now I seem to have very little desire to move or change gear.
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